Cast Iron Seagull, part II

“Seagull engines! They’re an outboard motor, from England. The company’s defunct now, but their engines were just wonderful. I find them as basket cases and rebuild them with other found parts. They’re amazing. You should try one!”

This sounded dubious. Outboards are notoriously finicky little creatures and the idea of getting an old one made by a company that no longer exists just seemed like a recipe for disaster. I listened as Ian went on espousing the benefits of his much loved Seagulls and as he explained why he was so enamored of them, (i.e. their simplicity, durability and love of salt water) the prospect of having one seemed better and better. In retrospect, this might also have has something to do with me refreshing my cold compress a few more times at the beer cooler. Eventually, he talked me into it and later that week, I dragged home the scruffiest, most disreputable looking outboard I’d ever seen outside of a Warner Brothers cartoon.

There was going to be a learning curve on this thing, to be sure.

The power plant (and I use the word, “power” gently here) weights only about nine or ten kilos, or a little over twenty pounds and is easily carried in one hand, providing that you don’t mind coating your self in a light sheen of oil and gasoline as you tote it down the ramp to your boat. There are no cans or hoses to deal with since the gas tank is bolted firmly to the top of the whole unit, just behind the flywheel. No pressure bulb to squeeze here! Good old gravity feeds the system.  Meanwhile, on a Seagull, the afore mentioned flywheel does not sport the expected, teardrop sleek cowl over it and the internal guts such as you’re used to seeing on outboards. If it did, you wouldn’t be able to hand wind the starting rope around the flywheel to get the thing running. As I screwed the contraption down to the wooden transom of our little rubber boat, I eyed the whole thing with a mixture of pride and dubiousness. My family and the marina attendant looked on with their own mixture. I believe I detected both amusement and fear.

It was “go” time. Would it work?

Though Ian had gone over the startup procedure with me two or three times, it had been several days since. Now, looking down at it clamped to our boat, the finer bits of the sequence became fuzzy.

I’d just wing it.

Here’s where it gets interesting.

First of all, there’s the remembering what buttons need pushing and what knobs need pulling and then there’s the throttle setting and then… there’s the flywheel. Most of us are familiar with the old yank line that’s used to start up the small engines we’re forced to deal with such as lawn mowers and snow blowers. But even these are now fast disappearing with the arrival of smaller, electric starters entering the fray, and honestly, who doesn’t like an easier to start engine? Still, I had been assured that in this case, my engine would not disappoint. The Seagull’s design is a throwback, even in its day, and uses a system that is the predecessor to the modern pull cord starter. In my hand, I held the starting rope, a knot in one end and a small chunk of hand whittled wood tied to the other. It is detached from the motor in every way. Don’t loose it. The knot fits neatly into a notch on the top of the flywheel and you coil the remaining length around and around in a little groove until you reach the end, which I now did.

“Ready?” I looked up at my family (worried) and the marina attendant (smirking) who were lined up in revue at the dockside. Deep breath now… “How hard do I pull this, I wonder?” went through my mind and I thought back to every 1930’s cartoon I could think of that involved an outboard. Surprisingly, there are really quite a few. “Just a gentle, little yank” I decided.

Bad choice.

With my anemic but long pull, I did manage to start the motor on the first try, but NOT dislodge the end of the starting rope from the flywheel. As the ancient outboard barked to life, it began to swing the chord over its head like medieval knight attacking peasants with a flail. The wooden toggle tied off to the end of the line made an unexpected and formidable weapon, smacking me three times in quick succession right in the back of the hand that started it. It was if I was being angrily punished for waking it from its long slumber. It only took a second for me to figure that this was going to end badly, possibly with me in the water, if I didn’t jump in and try to kill this thing fast. Reaching below the visible arc traveled by the whipping length of rope and wood, I stretched my injured hand toward the throttle switch while covering my face with my good one. With a quick flip, I shut the gas supply off and the mad thing coughed to a stop with what seemed to me, an air of smug satisfaction at having drawn first blood.

I clutched my teeth as well as my injured hand and looked down at my attacker through narrowed eyes. “So that’s the way it’s going to be, eh? FINE!”

I glanced back up at my audience.

My children looked rather worried while my wife and the attendant were doubled over laughing. Soon, so was I. Though the Seagull had indeed laid a good and bruising beating on me that smarted like crazy, I also didn’t want to worry my kids. That, and I could only imagine how funny that whole situation had looked. As it turned out, imagining my self as a cartoon had been closer to my reality than I had expected it to be.

“Okay, let’s try that again, but this time, without the death rope.”

I didn’t wait for a response since the adults were still laughing. This time, it worked. It really WORKED! And I didn’t have to jump back from an angry flail monster or anything! There were still finicky bits to work out on the thing, naturally. Engines of this vintage and level of, let’s be honest here, crude construction always require a “feeling out” period. You have to get to know their quirks, what sounds right and what sounds wrong, when to lean the mixture and how to stay the hell away from that damned flywheel. Also, with a Seagull, you have to get used to having no way of going in reverse. The engine only goes in one direction and you cannot, in any way, turn it farther than about sixty degrees in either direction, let alone spin it all the way around. Riding with one requires some forethought.

As it turned out, that’s fine. For all its idiosyncrasies, Ian has been proved one hundred percent correct about the little, stinky marvels. Mine has been humming and sputtering along the bay on the back of our rubber boat for three years now and considering that it was manufactured some time in the sixties, that’s pretty impressive. We’ve come to rely on it, if not for needed transportation services, then a source of summer fun. With the imminent end of the warm seasons upon us, it was time to consider pulling our rig out finding it a home for the winter in a corner of the basement. But first… we needed to have just one more outing. The day was beautiful, the air crisp and the last of the mixed gas for the Seagull, just begging to be burned. Plus, it was a drainer.

Everywhere you looked, islands showed off their lower reaches and what normally are no more than a few rocks even at low tide, were now throwing open hidden beaches, most often reserved only for sea life. How could we resist?

With the tourists mostly gone, the boat traffic was sparse to say the least. Even the ubiquitous flotillas of sea kayaks had fled the waters around our island home. It was heaven. We packed our life jacketed kids into the boat and putted off. Visiting a near by, tiny uninhabited island, we marveled at how it has grown with the receding big tide. We poked about, found hermit crabs, saved a beached fish and skipped rocks on the glassy surface of the ocean. The kids were in their element as they charged around and around, making a circuit of the beach. The low light of the end of the day lit up the trees on the coast like they were in spotlights and the whole world seemed to just stand still. It was amazing. I guess that’s what having a boat is all about, really.

Motoring home, I hummed happily to myself, assured that my family wouldn’t be able to hear me over the thrum of the Seagull. It’s a loud little sucker, but it runs and runs reliably. I was a very happy boater and tried not to think about having to wait a whole season before doing this again. I don’t know how or when exactly it happened, but I had turned into a boat guy. “What we need,” I caught myself pondering, “is something bigger. Something that we can take out a little farther. I wonder if I can find a longer inflatable?” Naturally, we’d need a bigger engine.

Luckily for me, Seagull made them.

I guess it’s time to go talk to Ian again and see what he’s got hiding on the work bench. I don’t’ know how I’m going to make time for this new hobby, but at least I can justify it. Hey, I live on an island, after all!

I NEED a boat!

The Junk Whisperer. Part III

My folks had discovered an actual camera store in Dover, New Hampshire at some point and when I told them about the Brownie, they were kind enough to stop in and pick me up a couple of rolls, ready to meet my sander and get resized to fit. Now with everything I needed to go put this old beautiful box into action, only one question remained: Color or Black and White.

Hmmm.

Black and White film holds a special and dear place in my heart. Many years ago, a much younger and substantially more awkward version of me could often be seen stalking interesting shadows and high contrast compositions with my trusty steel body Minolta. It had belonged to my father when he was young and now I had taken to it with enthusiasm. It shoots 35mm and though it only has one lens and is not a snazzy SLR, (i.e., Single Lens Reflex, meaning that the range finder lets you look right through the lens of the camera and not out a separate little range finder in the upper left corner of the camera) it still took the best Black and White photos I’d ever seen. I spent many a happy hour, late at night in the campus dark room developing and making prints of my black and white images.

Color though, offered another, special possibility.

In this crazy-fast, laser like perfected digital age, the phones we have crammed in our collective pockets can take pictures of stunning resolution and clarity and for some odd reason, this ability has kicked off the craze of the “retro-in” of pictures. The ability to saturate the colors, fade the edges and fake a little light bleed at a corner here and there has become increasingly popular. I have to admit, I find it somewhat perplexing.

I’m looking at you, Hipsamatic and Instagram.

Without a doubt, the images made with these bits of software do indeed look genuinely old school and  the filters and effects used on each uploaded image are often dutifully stamped into the accompanying text of the Facebook post by the shooters.

Lens: Edward Q

Film: Kobe’s 1971

Flash: strobe

…Or some such thing.

I mean no offense to the legion of happy iPhone photographers out there, but when I see these images, my mind quickly drifts to of all the actual filters and lenses that still lurk to this day in dark and dusty, forgotten drawers and backs of closets in homes across the world. They sit unused and unloved and it somehow seems a cheat to let the computer oldify the photo if you have the tools to do it the right way from the very beginning. To me, it feels like buying carrots at the store, sticking them in the ground only to pull them out and call them homegrown. Sometimes, doing something the hard way makes the end product that much better.

To my mind, anyway.

It also makes me slower on the draw, so I guess victory can be claimed on both sides.

Carefully loading the black box with my precious eight frames of ISO 200, color film, I carried the Brownie out side, trying to look at the world with my dusty, rusty photographer’s eye. Something I hadn’t done in far, far too long.

What initially came thundering back to me was the realization that I had eight shots and that was it. For the first time in a long time, I had to really consider my shot rather than just blaze away. It was going back to hunting with a muzzleloader after having used what is essentially, a machine gun. I had become used to snapping off a double fist-full of pictures, looking at what I had, and the culling the duds. In the end, I’d still have three or four pictures that were worth keeping of any given object or situation. Unless your funds are limitless, it doesn’t work that way with film.

I thought about subject

I’m drawn to photographing stuff. I like stuff! It doesn’t move, it’s timeless and you can fiddle with it to get the best effects. The problem is that it can also be impersonal. A photo of a boat on a beach is great and all, but it doesn’t get coveted by your great grandchildren, it doesn’t solve a family mystery and it probably won’t be attributed to you if you’re not there to claim attribution. This time around, I was shooting for something to go in a family album. I was remembering the picture that Great-Grandma took of her child and husband

Scooting around in the flower garden next door, a fancily dressed fairy princess and a serious butterfly hunter caught my eye. My son, Shortstack is six now and his sister Lulu Belle is four and to our great relief and enjoyment, they are each other’s best friend as well as sibling. I also tend to have a slightly biased eye when viewing them. They were the perfect subjects

In this case, their near constant movement would only add to the image. It is how I see them nearly all times unless they are asleep. Blurry.

Holding the camera at chest height and looking through one of the range finders, I lined up my subject.

The shutter swings. SNAP!

What a sound.

I catch her again as she flies along at the edge of the garden.

SNAP!

After a few seconds of cajoling and kindness, I get both of them to stand still long enough to line them both up, capturing a moment of their youth to celluloid.

SNAP! Number three out of eight taken.

The day is beautiful and breezy as the chilly afternoon wind kicks up off the Atlantic and blows the treetops. The three of us head out for some adventure and the Brownie comes with us.

As my two dear children enjoy their time with some kites at a nearby field, I stand off to squeeze them into the tiny field of my camera lens.

SNAP!

Sun at my back and turning the Brownie on its side, I look through the landscape range finder and take one more picture, just to be safe.

SNAP! Number five.

The kids are very interested as I take each photo and are more than a little bugged that I can’t show them the image like on my phone. I wonder if they think I’m making it up. To temper them I take a few more with my digital and we talk about which ones came out best.

That evening, I can’t resist the siren song of low angle sunlight and I joyously give in and search out my last three images. These are for me.

SNAP!

SNAP!

SNAP!

In the end, it wasn’t that long a wait to get my film back from the photo place in town. The hardest part was just getting around to driving it over, and then back to pick it up. I had forgotten how exciting it is to open that little glued envelope. Things could go so wrong. You won’t know until you fan them out and see for your self. There is no going back.

The Garden Series:

The Kite Series:

The Boathouse:

There they are. All eight in all their glory.

I still have the roll of black and white, but that will have to wait for another time and a different method of printing. The photo place I had brought this roll to only develops and prints black and white about every six months, so I’m left with a problem. I could leave my used rolls of film with them and wait like a patient little soldier, or…

It’s a thought to terrifying to think.

Should I?

I know how, after all.

There’s really not that much to… developing it all… my self!

 

All I need is an enlarger.

Oh, and a developing can.

Well, I need the chemicals too. And lets not forget the baths and a timer. Not to mention tongs, a water supply, drying racks and a bunch of other minutiae I’m no doubt forgetting.

I wonder what corner of the basement would make the best dark room?

 

Uh oh…

New Post at ROTRB!

Trails in the Sky

Rocket Boy Blog!

So, I set up a place for more on the Rocket Boy adventure. I’ll be writing for both, I think, if I can find the time. Sorry for the long break. The holidays have been… interesting, time consuming and even fun, here and there. We are all well and I hope that things will get back to a more normal writing schedule from here on out.

In the mean time, I’ll post a notice here when there’s something to view over at Rise of The Rocket Boy and continue my more scattered, normal essay-ish style at Fox and Maus.

Happy New Year to you all!

Time for a Change…

Hello folks!

I’ve been writing my, “Rise of the Rocketboy” story for way longer than I ever anticipated now and I’m thinking it’s time to get back to the essays again. My reasoning is:

A. You guys are probably ready for me to wrap this up.
B. I miss writing about the other silly things in my life (of which there are many).
C. I haven’t written about Lulu Belle in FOREVER!
D. It’s really, really HARD to write each of these chapters, so they tend to come once in a blue moon, and that makes me feel guilty.

The real trick here is that I need some serious time set aside for each chapter and time is the one thing I simply do not have a lot of… so, here’s my plan: I will now go back to the shorter stories which you all knew me for before and move RotRB off to the side. The story, however, is not quite done. I’d say it’s about 75%-80% there and I want to finish it up soon so quitting it is out of the question. Instead, I shall move it. I might go to a split column layout here at Fox and Maus or I might simply move the whole RotRB story, lock, stock and barrel to another Blog. I’ll let you know for sure in the next day or so.

SO!…

With the spirit of something new and something old in the air, I present to you some light entertainment to whip the crowd into a frenzy before the main show begins! Will you please welcome… A VARIETY OF ADORABLE BUGS AND SPIDERS!

YEAHHHHHHHHHH!

Back to the old Fox and Maus flavor starting tomorrow! See you soon!

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