The Tone in Dresden, Part IV

“How on earth do you know they are going to Pirna?” To say I was skeptical is an understatement.

“The license plate, dummy.” She sweetly explained. It ends in ‘PRN’. I bet that stands for Pirna. Car plates in Germany tell you where the car is registered and that one’s registered in the city we can’t find. We’ll just follow it and see where it takes us.” Zen navigation. I like it.

We bumped along, chasing our unsuspecting pathfinder through rotaries and turn offs. We were actually having fun with this. Tailing our randomly picked car through the dark and drizzle coated streets of former East Germany, it felt like shadows of the secret police were driving with us. After a relatively short time, we started recognizing landmarks again. We were delivered to our destination and we let our scout car break free into the night. A short wobble up the stairs and we collapsed into various bunk beds to sleep off the night’s adventures.

My companions woke first and spent the early morning sitting by the window chatting and watching as gliders took off and landed in the field behind the youth hostel. Gliding has always been popular in Germany and it was nice to see that the sport continues. Once I managed to rouse my self out of bed I headed off to the highly questionable shower. About eight centimeters of water filled the large communal shower basin as four or five showerheads did their best to flood out the floors below. With only a brief pause I stepped in, flip fops still on and did my best to clean up.

We wasted no time getting back to the old city, this time taking careful note of the way back. We found a car park near the city center and moved out on foot. Two things stood out to me. First was the decay. There were still a lot of scars from WWII here. Some buildings that had burned in the bombing of 1945 still showed streaks of black above each and every window. The back alleys and smaller roads looked neglected. What was once a city park now covered in waist high grass with a massive black gas pipe cutting it in half, gates locked to the public.

The second thing that you could not escape seeing were the cranes. Cranes were everywhere and they thrust up from the city skyline like church steeples of construction. Dresden was being rebuilt. That was message that rang out from building site to building site. Things were finally changing and they were changing fast.

After we met up with Carla again we set out to see the town. There was a lot to pick from. Though it was a bit of a whirlwind tour, there are a few things that stand apart. The first was an old man playing an ancient hurdy-gurdy, complete with monkey and tin cup. The instrument looked rather worse for wear, but the sound was unmistakable and briefly enjoyable. A bit like bagpipes are. They make you smile, and then you retreat to a safe distance, well out of earshot.

In the days of the DDR, soft coal was used extensively for heating, and the city showed its effects. Massive stone edifices, having been bathed in the cinders of thousands of coal furnaces, were black and disfigured. One of these black smeared giants was the Katholische Hofkirche, the catholic cathedral that is one of Dresden’s unmistakable landmarks. We walked around to the front door and stepped inside. My breath was taken away. From the filth that clung to the exterior of the church, I was ready to see a somber and dark space within. Not so. Gleaming white walls and golden angelic statuary towered over us as we respectfully kept our silence so as not to disturb the service in progress. The effect of this dazzling open space made it feel as though you were stepping from a gloomy room and into the bright day, when in fact you had stepped from the outside to in. It was amazing to behold and gave you hope for the city’s reconstruction.

The next stop was the Zwinger Palace. This massive complex was ordered constructed by Augustus the Strong in 1689 to house his incredible art collection. The buildings surround a large central plaza and is a perfect example of royal excess. The majority of the structure was destroyed and burned out on the night of February 14, 1945 in the massive Allied bombing raid. After the war, in an uncharacteristically thoughtful move, the communist government decided to rebuild it exactly as it had stood prior to that terrible night. Oddly enough, due to the air pollution that had plagued the region, the new Zwinger looks as though it had stood there, unmolested for the last four hundred years. Inside was the art and we spent much of the day there. It was a day well spent. About half way through the museum palace, I rounded a corner to find an oversized painting of Mary, holding the infant Jesus while being gazed at reverently by some hangers on. What stopped me in my tracks were the cherubs at the bottom. Not just any cherubs, but THE cherubs. Those two little fat kids with wings that have somehow caught on across the U.S. and are immediately recognizable to anyone who’s been inside a Pier 1 Imports or any greetings card shop.

So THAT’S where they were from! As an artist and art teacher, I was embarrassed that it had never occurred to me that there was more to the painting than just the two pudgy angel babies. Who knew?

As the day wound down, we headed to a movie house where I was introduced to the concept of eating good food and drinking beer, all while enjoying a movie. It was the perfect way to end the day. Mountain Man and I were leaving our friends Carla and Laura from here. We would be traveling on to Salzburg on our own while they both needed to head off home. After good byes and addresses were exchanged, we watched them both disappear into the evening. The night was still young and our train wasn’t due for hours so with out hesitation, Mountain Man and I set out to find some fun. We found it in the form of a bit of ruined wall gradually rising from the ground. It was a fragment of the old palace foundation, left over after the post war clean up. In the middle of the wall was an open door way leading to a long and steep set of stairs that disappeared under the city. A neon sign balanced over the entry was twisted into the shape of a yellow trumpet. Below that was just one word, “Tonne”.

In we went.

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2 Responses

  1. Pier One ruined it for Raphael.

    It really caught me off guard. Those two little cherubs were everywhere back home. On posters, cards, even t-shirts. When I saw the painting, I just about had a fit. As an art major, I was embarrassed that I hadn’t thought of where they had come from in the first place. To pretty much bump into them at the Zwinger was just too weird.
    -TP

  2. I’ve always known they came from somewhere, but never gave it much thought. I learned something new today, thanks!

    The cathedral is beautiful. They don’t build them like that anymore, do they? It’s good to see that it’s well-cared-for on the inside, if not on the out (although, given the air quality, that’s understandable).

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