Do, do, do, do, do remember me.

I sat in the audience in the school gymnasium with all the other parents, eagerly waiting to watch my eldest child, Short Stack, take the stage with his class. It was the spring concert and my little boy was about to do what he loves: preform. I wouldn’t say that he’s really a show off, but he does loves the chance to do what he can do for an audience, especially if he’s worked hard at it. Especially, if he can sneak in a little flourish here and there.

Okay, maybe he is a bit of a show off. It’s always a good show with Short Stack

Lulu Belle, his younger sister sat as patiently as a five year old could in my lap. I didn’t admonish her incessant wiggling because I understood what she was going through. If Short Stack’s love for performing was likened to the fire of a lamp, hers is a volcano lighting up the sky. For her, kindergarten doesn’t start until next fall, and she understands that her time to be in the lime light will come, but in the mean time, the pressure she must have to exert on her impulse to run up, front and center, must be like the pressure behind the little Dutch boy’s dyke.

Wiggle, wiggle.

Short Stack had been practicing with his class for some time and he hand given my wife a sneak peek performance a few days before in our living room, but I sadly have to admit that I was distracted with any number of household duties at the time and had listened with only half a ear from the kitchen. I registered his little voice singing in the background, but the lyrics had drifted through my head and directly out the window before I had a chance to gather them up and file them away. I was eager to hear them again with all my attention focused on him. All I could remember was that he had told me the first song would be, “Rocky Mountain High.” In my mind, a vision of John Denver, crooning and strumming, leapt to the fore. What could be cuter than kids singing John Denver?

I don’t know either.

What I do know is that it didn’t turn out to be John Denver.

As his diminutive class took their postitions on the risers at the front of the stage, the music director gathered together their attention such that any one can, and set the pitch. Then they began to sing.

Rocky mountain, rocky mountain, rocky mountain high.

When you’re on that rocky mountain, hang your head and cry.

Do, do, do, do, do remember me. Do, do, do, do, do remember me.

Sunny valley, sunny valley, sunny valley low.

When you’re in that sunny valley, sing it soft and slow.

Do, do, do, do, do remember me. Do, do, do, do, do remember me.

Stormy ocean, stormy ocean, stormy ocean wide.

When you’re on that stormy ocean there’s no place to hide.

Do, do, do, do, do remember me. Do, do, do, do, do remember me.

It is obviously a very old song and each verse came with hand gestures to hammer the points home. The crying on the rocky mountain was traced with a finger from their eyes, down their little, round cheeks and in the sunny valley, heads were hung and they sag to their feet. The literal choking point for me was on the stormy ocean, though. As this group of six and seven year olds sang of the horrors of being caught in a violent storm at sea, they covered their faces, fingers up, palms pressed against their eyes. My vision got a little blurry at this point, so I’m a touch vague on any further visuals I might have missed.

I’m an overly empathetic person at heart, and I know this well. For whatever reason, it’s always been a tendency of mine to dive into the history of things and imagine the situation of those who set that particular bit of the past into motion. When I walk through an old house, I inevitably wind up noticing some small detail, a decorative bit of molding or the head of a square cut nail, and I wonder who put it there. What did they look like? Was it the homeowner? Who struck that nail struck home? It can instantly transport me back to a time a hundred or more years ago and I feel like a ghost, watching silently and undetected over the shoulder of a hunched figure, dutifully working away to complete whatever project it might have been. I don’t know why, but it’s what my mind tends to default to. Add to that my love of history and a possibly unhealthy obsession with trying to do things the old way my self, and it all equals to me sort of living in the past quite a good deal of the time. I quite like it there, even if it seems to unexpectedly smack me in the face with melancholy every once in a while. It can be powerful stuff.

Two more songs were sung by his class, though I can’t remember just now what they were. That first one had deeply taken root and held my mind fast. I enthusiastically applauded with the other parents and welcomed Short Stack to the empty seat I had saved for him next to me and we watched the rest of the performance as the other grades cycled though, each with three songs of their own. It was an enjoyable time and the children all looked justifiably proud. We were all proud, parents and children, alike.

That song though…

Over the next few days, I caught myself humming it as I bustled about doing various chores and even singing it outright as I made dinner. This never failed to catch the attention of Short Stack and he would remark on it. Not in an accusatory way, but more in the astonishment that he could have taught me a song that so struck me.

“Dad.” A big smile crosses his face. “what song are you singing?”

About a week later, I found my self in the unusual situation of having some time to burn in town, and today I had planned for it. There is a very venerable cemetery here in Portland, which contains all that remains of many of the founding families from the settlement era of our coastline, and that was where I headed. There are Longfellows buried here. Those Longfellows. There are innumerable captains, and of not just sailing vessles of trade, but captains of warships and crew members too. Their stories are caved in slate, quarried hundreds of years ago and patiently hand lettered and inscribed with their names and duties. There are a lot of stories in there. Every stone stands as a monument to another story. Knowing them is the hard part.

Some years ago, I had discovered head stones bearing the same surname as my own, and I had made it a point to do some care for them. I plant flowers in the fall so that they may bloom in the spring. I make note of any deterioration and do what I can to mitigate it. Today, I had brought a pair of hand shears to clear the grass that grew tall against the faces and backs of the grey stones.

Snip, snip.

As I knelt, back hunched to the sun, I grabbed the grass in tufts and carefully cut it away in long strokes. Without warning, the song came back to my lips in a hum.

“Do, do, do, do, do remember me.”

Glancing around to make sure I was alone with my ancient company, I decided that singing was better. What, after all, could be a more fitting song? So, I sang, quietly of course, but still, it felt good to say the words, if not a trifle sad as well. To be fair, I don’t remember these people. I’m not even sure if they are relatives or not. I do know that my kin came from this general area, but on the coast, there was always a lot of migration of people and whole families.

They might not be any relation at all.

Honestly though, I don’t care. They are family to me.

Here, laying in this ground before me, is all that remains of some who had climbed mountains, crossed valleys and, since one is a sea captain, even ridden on oceans packed high with angry, white toped waves. They had all left family either though immigration or mortality and due to the confines of the era, had to rely on memory alone to visit them again. No photographs. No telephone calls. No quick visits from a hundred miles away. Choices were more permanent back then, much like the slate they used to mark the passing of soul.

Who knows how long these particular stones have stood unattended? A hundred years or more of grass grown high and unkempt seems likely and I can’t help but think about that as I clear away the weeds and timothy. Who held onto the tops of these stones when they were first planted so that they may refresh the memories of those now buried beneath them? They too are long gone now

I’ll remember them now, to the extent that I can. Keeping the plots clean and kept is a duty I happily take on and my children, always looking to be a help to daddy, happily join in with the quick and easy task when they join me.

Finished with both the song and my clipping, I look down with a smile at the neat job the shears had done. In a sea of overgrown grass, it stands out as an island of order and I feel proud. I wonder who these possible family elders of mine were and what they looked like. What did they talk about? Whom did they enjoy to speak with? A favorite food, a often told joke or even, were they happy with their lives? Some hundreds of years later, who can say? What I can do is remember to remember them. I’ll stop by when I can and neaten things up, plant more flowers and show my kids, again, where the stones stand in the crowded jumble of lost memories and relatives that reside there, faces grey and hard in the summer sun.

Here, there are stories to be found. All we need to do is look for them and then, if the story is discovered, share it. Tell your children and their children. Write it down and show anyone with an interest. Let it live on past your own memory so that we all have a chance to remember.

Do, do, do, do remember me.

Cast Iron Seagull, part II

“Seagull engines! They’re an outboard motor, from England. The company’s defunct now, but their engines were just wonderful. I find them as basket cases and rebuild them with other found parts. They’re amazing. You should try one!”

This sounded dubious. Outboards are notoriously finicky little creatures and the idea of getting an old one made by a company that no longer exists just seemed like a recipe for disaster. I listened as Ian went on espousing the benefits of his much loved Seagulls and as he explained why he was so enamored of them, (i.e. their simplicity, durability and love of salt water) the prospect of having one seemed better and better. In retrospect, this might also have has something to do with me refreshing my cold compress a few more times at the beer cooler. Eventually, he talked me into it and later that week, I dragged home the scruffiest, most disreputable looking outboard I’d ever seen outside of a Warner Brothers cartoon.

There was going to be a learning curve on this thing, to be sure.

The power plant (and I use the word, “power” gently here) weights only about nine or ten kilos, or a little over twenty pounds and is easily carried in one hand, providing that you don’t mind coating your self in a light sheen of oil and gasoline as you tote it down the ramp to your boat. There are no cans or hoses to deal with since the gas tank is bolted firmly to the top of the whole unit, just behind the flywheel. No pressure bulb to squeeze here! Good old gravity feeds the system.  Meanwhile, on a Seagull, the afore mentioned flywheel does not sport the expected, teardrop sleek cowl over it and the internal guts such as you’re used to seeing on outboards. If it did, you wouldn’t be able to hand wind the starting rope around the flywheel to get the thing running. As I screwed the contraption down to the wooden transom of our little rubber boat, I eyed the whole thing with a mixture of pride and dubiousness. My family and the marina attendant looked on with their own mixture. I believe I detected both amusement and fear.

It was “go” time. Would it work?

Though Ian had gone over the startup procedure with me two or three times, it had been several days since. Now, looking down at it clamped to our boat, the finer bits of the sequence became fuzzy.

I’d just wing it.

Here’s where it gets interesting.

First of all, there’s the remembering what buttons need pushing and what knobs need pulling and then there’s the throttle setting and then… there’s the flywheel. Most of us are familiar with the old yank line that’s used to start up the small engines we’re forced to deal with such as lawn mowers and snow blowers. But even these are now fast disappearing with the arrival of smaller, electric starters entering the fray, and honestly, who doesn’t like an easier to start engine? Still, I had been assured that in this case, my engine would not disappoint. The Seagull’s design is a throwback, even in its day, and uses a system that is the predecessor to the modern pull cord starter. In my hand, I held the starting rope, a knot in one end and a small chunk of hand whittled wood tied to the other. It is detached from the motor in every way. Don’t loose it. The knot fits neatly into a notch on the top of the flywheel and you coil the remaining length around and around in a little groove until you reach the end, which I now did.

“Ready?” I looked up at my family (worried) and the marina attendant (smirking) who were lined up in revue at the dockside. Deep breath now… “How hard do I pull this, I wonder?” went through my mind and I thought back to every 1930’s cartoon I could think of that involved an outboard. Surprisingly, there are really quite a few. “Just a gentle, little yank” I decided.

Bad choice.

With my anemic but long pull, I did manage to start the motor on the first try, but NOT dislodge the end of the starting rope from the flywheel. As the ancient outboard barked to life, it began to swing the chord over its head like medieval knight attacking peasants with a flail. The wooden toggle tied off to the end of the line made an unexpected and formidable weapon, smacking me three times in quick succession right in the back of the hand that started it. It was if I was being angrily punished for waking it from its long slumber. It only took a second for me to figure that this was going to end badly, possibly with me in the water, if I didn’t jump in and try to kill this thing fast. Reaching below the visible arc traveled by the whipping length of rope and wood, I stretched my injured hand toward the throttle switch while covering my face with my good one. With a quick flip, I shut the gas supply off and the mad thing coughed to a stop with what seemed to me, an air of smug satisfaction at having drawn first blood.

I clutched my teeth as well as my injured hand and looked down at my attacker through narrowed eyes. “So that’s the way it’s going to be, eh? FINE!”

I glanced back up at my audience.

My children looked rather worried while my wife and the attendant were doubled over laughing. Soon, so was I. Though the Seagull had indeed laid a good and bruising beating on me that smarted like crazy, I also didn’t want to worry my kids. That, and I could only imagine how funny that whole situation had looked. As it turned out, imagining my self as a cartoon had been closer to my reality than I had expected it to be.

“Okay, let’s try that again, but this time, without the death rope.”

I didn’t wait for a response since the adults were still laughing. This time, it worked. It really WORKED! And I didn’t have to jump back from an angry flail monster or anything! There were still finicky bits to work out on the thing, naturally. Engines of this vintage and level of, let’s be honest here, crude construction always require a “feeling out” period. You have to get to know their quirks, what sounds right and what sounds wrong, when to lean the mixture and how to stay the hell away from that damned flywheel. Also, with a Seagull, you have to get used to having no way of going in reverse. The engine only goes in one direction and you cannot, in any way, turn it farther than about sixty degrees in either direction, let alone spin it all the way around. Riding with one requires some forethought.

As it turned out, that’s fine. For all its idiosyncrasies, Ian has been proved one hundred percent correct about the little, stinky marvels. Mine has been humming and sputtering along the bay on the back of our rubber boat for three years now and considering that it was manufactured some time in the sixties, that’s pretty impressive. We’ve come to rely on it, if not for needed transportation services, then a source of summer fun. With the imminent end of the warm seasons upon us, it was time to consider pulling our rig out finding it a home for the winter in a corner of the basement. But first… we needed to have just one more outing. The day was beautiful, the air crisp and the last of the mixed gas for the Seagull, just begging to be burned. Plus, it was a drainer.

Everywhere you looked, islands showed off their lower reaches and what normally are no more than a few rocks even at low tide, were now throwing open hidden beaches, most often reserved only for sea life. How could we resist?

With the tourists mostly gone, the boat traffic was sparse to say the least. Even the ubiquitous flotillas of sea kayaks had fled the waters around our island home. It was heaven. We packed our life jacketed kids into the boat and putted off. Visiting a near by, tiny uninhabited island, we marveled at how it has grown with the receding big tide. We poked about, found hermit crabs, saved a beached fish and skipped rocks on the glassy surface of the ocean. The kids were in their element as they charged around and around, making a circuit of the beach. The low light of the end of the day lit up the trees on the coast like they were in spotlights and the whole world seemed to just stand still. It was amazing. I guess that’s what having a boat is all about, really.

Motoring home, I hummed happily to myself, assured that my family wouldn’t be able to hear me over the thrum of the Seagull. It’s a loud little sucker, but it runs and runs reliably. I was a very happy boater and tried not to think about having to wait a whole season before doing this again. I don’t know how or when exactly it happened, but I had turned into a boat guy. “What we need,” I caught myself pondering, “is something bigger. Something that we can take out a little farther. I wonder if I can find a longer inflatable?” Naturally, we’d need a bigger engine.

Luckily for me, Seagull made them.

I guess it’s time to go talk to Ian again and see what he’s got hiding on the work bench. I don’t’ know how I’m going to make time for this new hobby, but at least I can justify it. Hey, I live on an island, after all!

I NEED a boat!

The Junk Whisperer. Part III

My folks had discovered an actual camera store in Dover, New Hampshire at some point and when I told them about the Brownie, they were kind enough to stop in and pick me up a couple of rolls, ready to meet my sander and get resized to fit. Now with everything I needed to go put this old beautiful box into action, only one question remained: Color or Black and White.

Hmmm.

Black and White film holds a special and dear place in my heart. Many years ago, a much younger and substantially more awkward version of me could often be seen stalking interesting shadows and high contrast compositions with my trusty steel body Minolta. It had belonged to my father when he was young and now I had taken to it with enthusiasm. It shoots 35mm and though it only has one lens and is not a snazzy SLR, (i.e., Single Lens Reflex, meaning that the range finder lets you look right through the lens of the camera and not out a separate little range finder in the upper left corner of the camera) it still took the best Black and White photos I’d ever seen. I spent many a happy hour, late at night in the campus dark room developing and making prints of my black and white images.

Color though, offered another, special possibility.

In this crazy-fast, laser like perfected digital age, the phones we have crammed in our collective pockets can take pictures of stunning resolution and clarity and for some odd reason, this ability has kicked off the craze of the “retro-ing” of pictures. The ability to saturate the colors, fade the edges and fake a little light bleed at a corner here and there has become increasingly popular. I have to admit, I find it somewhat perplexing.

I’m looking at you, Hipsamatic and Instagram.

Without a doubt, the images made with these bits of software do indeed look genuinely old school and  the filters and effects used on each uploaded image are often dutifully stamped into the accompanying text of the Facebook post by the shooters.

Lens: Edward Q

Film: Kobe’s 1971

Flash: strobe

…Or some such thing.

I mean no offense to the legion of happy iPhone photographers out there, but when I see these images, my mind quickly drifts to of all the actual filters and lenses that still lurk to this day in dark and dusty, forgotten drawers and backs of closets in homes across the world. They sit unused and unloved and it somehow seems a cheat to let the computer oldify the photo if you have the tools to do it the right way from the very beginning. To me, it feels like buying carrots at the store, sticking them in the ground only to pull them out and call them homegrown. Sometimes, doing something the hard way makes the end product that much better.

To my mind, anyway.

It also makes me slower on the draw, so I guess victory can be claimed on both sides.

Carefully loading the black box with my precious eight frames of ISO 200, color film, I carried the Brownie out side, trying to look at the world with my dusty, rusty photographer’s eye. Something I hadn’t done in far, far too long.

What initially came thundering back to me was the realization that I had eight shots and that was it. For the first time in a long time, I had to really consider my shot rather than just blaze away. It was going back to hunting with a muzzleloader after having used what is essentially, a machine gun. I had become used to snapping off a double fist-full of pictures, looking at what I had, and the culling the duds. In the end, I’d still have three or four pictures that were worth keeping of any given object or situation. Unless your funds are limitless, it doesn’t work that way with film.

I thought about subject

I’m drawn to photographing stuff. I like stuff! It doesn’t move, it’s timeless and you can fiddle with it to get the best effects. The problem is that it can also be impersonal. A photo of a boat on a beach is great and all, but it doesn’t get coveted by your great grandchildren, it doesn’t solve a family mystery and it probably won’t be attributed to you if you’re not there to claim attribution. This time around, I was shooting for something to go in a family album. I was remembering the picture that Great-Grandma took of her child and husband

Scooting around in the flower garden next door, a fancily dressed fairy princess and a serious butterfly hunter caught my eye. My son, Shortstack is six now and his sister Lulu Belle is four and to our great relief and enjoyment, they are each other’s best friend as well as sibling. I also tend to have a slightly biased eye when viewing them. They were the perfect subjects

In this case, their near constant movement would only add to the image. It is how I see them nearly all times unless they are asleep. Blurry.

Holding the camera at chest height and looking through one of the range finders, I lined up my subject.

The shutter swings. SNAP!

What a sound.

I catch her again as she flies along at the edge of the garden.

SNAP!

After a few seconds of cajoling and kindness, I get both of them to stand still long enough to line them both up, capturing a moment of their youth to celluloid.

SNAP! Number three out of eight taken.

The day is beautiful and breezy as the chilly afternoon wind kicks up off the Atlantic and blows the treetops. The three of us head out for some adventure and the Brownie comes with us.

As my two dear children enjoy their time with some kites at a nearby field, I stand off to squeeze them into the tiny field of my camera lens.

SNAP!

Sun at my back and turning the Brownie on its side, I look through the landscape range finder and take one more picture, just to be safe.

SNAP! Number five.

The kids are very interested as I take each photo and are more than a little bugged that I can’t show them the image like on my phone. I wonder if they think I’m making it up. To temper them I take a few more with my digital and we talk about which ones came out best.

That evening, I can’t resist the siren song of low angle sunlight and I joyously give in and search out my last three images. These are for me.

SNAP!

SNAP!

SNAP!

In the end, it wasn’t that long a wait to get my film back from the photo place in town. The hardest part was just getting around to driving it over, and then back to pick it up. I had forgotten how exciting it is to open that little glued envelope. Things could go so wrong. You won’t know until you fan them out and see for your self. There is no going back.

The Garden Series:

The Kite Series:

The Boathouse:

There they are. All eight in all their glory.

I still have the roll of black and white, but that will have to wait for another time and a different method of printing. The photo place I had brought this roll to only develops and prints black and white about every six months, so I’m left with a problem. I could leave my used rolls of film with them and wait like a patient little soldier, or…

It’s a thought to terrifying to think.

Should I?

I know how, after all.

There’s really not that much to… developing it all… my self!

 

All I need is an enlarger.

Oh, and a developing can.

Well, I need the chemicals too. And lets not forget the baths and a timer. Not to mention tongs, a water supply, drying racks and a bunch of other minutiae I’m no doubt forgetting.

I wonder what corner of the basement would make the best dark room?

 

Uh oh…

New Post at ROTRB!

Trails in the Sky

Rocket Boy Blog!

So, I set up a place for more on the Rocket Boy adventure. I’ll be writing for both, I think, if I can find the time. Sorry for the long break. The holidays have been… interesting, time consuming and even fun, here and there. We are all well and I hope that things will get back to a more normal writing schedule from here on out.

In the mean time, I’ll post a notice here when there’s something to view over at Rise of The Rocket Boy and continue my more scattered, normal essay-ish style at Fox and Maus.

Happy New Year to you all!

Time for a Change…

Hello folks!

I’ve been writing my, “Rise of the Rocketboy” story for way longer than I ever anticipated now and I’m thinking it’s time to get back to the essays again. My reasoning is:

A. You guys are probably ready for me to wrap this up.
B. I miss writing about the other silly things in my life (of which there are many).
C. I haven’t written about Lulu Belle in FOREVER!
D. It’s really, really HARD to write each of these chapters, so they tend to come once in a blue moon, and that makes me feel guilty.

The real trick here is that I need some serious time set aside for each chapter and time is the one thing I simply do not have a lot of… so, here’s my plan: I will now go back to the shorter stories which you all knew me for before and move RotRB off to the side. The story, however, is not quite done. I’d say it’s about 75%-80% there and I want to finish it up soon so quitting it is out of the question. Instead, I shall move it. I might go to a split column layout here at Fox and Maus or I might simply move the whole RotRB story, lock, stock and barrel to another Blog. I’ll let you know for sure in the next day or so.

SO!…

With the spirit of something new and something old in the air, I present to you some light entertainment to whip the crowd into a frenzy before the main show begins! Will you please welcome… A VARIETY OF ADORABLE BUGS AND SPIDERS!

YEAHHHHHHHHHH!

Back to the old Fox and Maus flavor starting tomorrow! See you soon!

The system is down… ugh.

Just a quick post to let you all know that I’m not tied to a tree or something.

My computer, the one with all the writing on it, is dead, dead, dead and I’m going to have to do some work to get back everything that I wrote but haven’t posted yet. I’ve got the next bit pretty much all done. I just need to get my laptop breathing again to get at it.

Sorry for the wait!

-TP

Epilogue:

I have now gone and bought a brand new laptop, sucked the old hard drive dry and stuffed it all onto the new one. That was WAY the heck too much to have to do… but now it’s done at least. Phew. Now back to the story already in progress… 🙂